Google Reader Overload Redux

431 unread articles in Google Reader and rising. I don't have time to read them while I'm traveling, but watching the number rise is fascinating.

What does it say about me that, if Iwere at home, that value would be zero?

Some Greek Pottery

For anyone who's read the book (admittedly a small integer at the moment) and wants to know what some of the crockery I mention actually looks like...

These are some of my photos from the Musee Lapidaire in Avignon. The picture quality is not good due to glass cabinets and reflections therein; hopefully I'll have better by the time I'm finished in the Louvre and British Museum.


A reconstructed funerary jar.

Take one corpse, roast over a burning pyre until thoroughly overdone. Douse flames with ritual wine. (This must all be done after dusk so as not to offend the Sun God Apollo with the sight of a dead man).

Scoop up ashes with a hand trowel and pour into this jar.

Set up jar in nearby cemetary. The cemetary just outside the Dipylon Gates to the NW of Athens would be traditional.

Return to visit regularly leaving offerings for the dead. This was a prime duty of all children.

The pigtails in the background btw belong to my younger daughter Megan, who was so very patient while Daddy obsessed about old pots.


A very cool cup.

I expect this would have been a symposium (dinner party) cup.

It's about a hundred years or more after the period I'm writing, maybe about the time of Alexander, hence the more complex decoration with the white coloring. In Nicolaos' time, the latest trendy stuff was all red-figure.


Just to prove I can't hold a camera straight, here is a krater. They were used to mix wine at symposia, which were fun dinner parties, not boring academic waffling.

Only a barbarian would drink wine neat. Greeks always mixed wine with water, which would be the duty of slave boys.

The symposiarch, the guy in charge of festivities, would decide the ratio. 3 water for 1 wine meant a pleasant evening of refined philosophical discussion. 2 for 1 was party time. 1 for 1 meant the flute girls could expect extra pay for extra duties.


This is a hydria, as the name implies used for storing water, or sometimes oil.

You'd find lots of these in every kitchen and bar.

Would a crime writer make a good criminal?

If a crime writer turned to, well, crime, would he or she be any good at it?

There are plenty of fictional accounts in which a famous author executes a plot so devious that only a writer or someone with a deranged mind...errr, that is, only a writer could have thought of it. More often than not, some surprise unravels the plan, but the assumption is always that the writer could have got away with it if not for the unfortunate accident.

I can't off-hand think of any real life examples. The best I can manage is that Conan Doyle did at one point try his hand as an amateur detective in an attempt to clear a man he felt wrongly accused, and there are the much made of missing days of Christie.

But neither of these were committing a crime (Christie was probably having a good weep somewhere).

I confess I've considered how I'd go about a number of different crimes, the obvious and most interesting one of course being murder. I'll save my murder plan for another day and another blog (or unless I need to use it, whichever comes first...) and stick to the point that all my mentally filed criminal plans are rather tricky, just as you'd expect. Which is rather unfortunate, really, because the most successful murders are simple, direct, and scary. Drive by shootings, common beatings, a shooting in the woods and bury the body; it's all so dreary, uninteresting, and effective. The simple methods work because there are fewer "moving parts" to go wrong. Tricky = Likely To Fail.

The sad probable truth is, a successful crime depends at least as much on steady nerve and the execution as it does on the quality of the plan, and the average writer would probably do a poor job on execution. Staring at a screen all day, typing, and daydreaming, are not good practise for the daring and devious acts a writer's plan would demand.

Of course, there is the final, ominous possibility. Perhaps crime writers are so good at crime that not a single one of the numerous writer-criminals has ever been caught. Agents and editors should keep that in mind the next time they annoy one.

Google Reader Overload

I use Google Reader to keep track of the blogs I like to read. Actually there are even more I like but there has to be a limit.

So, I don't open Google Reader for almost two weeks, and what happens? 277 unread blog posts.

Wow, do I read that much? Do I actually remember it all, or even take note? I usually skip posts that don't excite me (of course I read all of yours), but still, that's a pile of information.

Then there are the links that I follow, find something interesting, with more links, and wind up in a maze of twisty little passages, all alike, trying to remember how I came to be reading about saussage making, or the mating habits of the lesser spotted African gerbil, when I started with a blog about someone's book.

The Rhythm Method

Rhythm matters a great deal in writing. You just have to have it. If you can't find the rhythm in your work, then you're probably in trouble.

Now different languages favor different rhythms in speech and writing -- I speak barely enough German to know that -- and there're pronounced differences in the natural styles of writers.

Does this mean some writers have styles that naturally fit certain languages? Maybe there are people out there who can't write in English to save their lives, but who would have been fine in Swahili, if only they knew the language?

Or are there writers who can be improved by translation? I'm thinking of Perez-Reverte on that one. I don't know a word of Spanish, so I can't speak for the original, but the translations of books like The Flanders Panel are brilliant. (If you haven't heard of him, rush out now and get The Flanders Panel, The Dumas Club, and The Dancing Master).