More fun ways to die

Ancient Greeks kept coming up with some pretty bizarre ways to depart for Hades.  I'll mention two:

The founder of modern drama was a chap named Aeschylus.  He's considered the founder because he wrote the earliest surviving play: The Persians.  There were certainly earlier playwrights, among them Thespis, from whom we get the word thespian for an actor, but all their works are lost.

Aeschylus moved to Sicily in his final years.  That was a pretty common thing to do, because in those days Sicilians were nouveau riche but culture poor; they had plenty of money to entice famous artists.

We know for sure that Aeschylus was balding in his old age, because of the odd nature of his end.

Aeschylus was walking along one day when an eagle passed overhead.  Eagles like to eat turtles, but the shell is a problem.  The eagles solve that problem by flying high, then dropping the turtle-victim onto rocks to crack it open.

This particular eagle passing by Aeschylus mistook the playwright's balding pate for a stone.  He let go the turtle in his claws.  Aeschylus thus became the first and, as far as I know only, great writer to be struck down by a plummeting turtle.

Aeschylus not only founded drama, but set the standard for tragic writer deaths.  There were three great tragedians of the ancient age, the other two being Sophocles and Euripides.

Not to be outdone, Euripides moved to Macedonia at the invitation of the royal court.  Where he went for a walk.  And was promptly torn to pieces by wild dogs.

Clearly writers should avoid exercise.


Gary at Merrylands Library

Yours truly will be giving a talk at Merrylands Library, in Sydney, on Friday evening next week.  It's the library's 21st birthday!  
I have far too many things I'd like to talk about, so I'd like to ask your opinion.  Out of all the stuff you've seen on this blog, what do you think might make the most interesting talk for a library audience?  Keep in mind that some of the audience, but not all, will be mystery fans.  Some, but not all, will be historical fans, and of course everyone is a reader.  What do you think for a subject?

If you happen to be within reach of Merrylands, I'd love to see you there.

Books about the craft of writing

This has come up in conversation for me a couple of times in the last week, so I thought I'd pop it in here.  The part of writing that you can learn from a textbook is called craft.  Perhaps it should be called The Craft in the same way that black magic is often called The Art.

Craft is to writing what theory and technique is to music.  Craft means not only how to put words together so they work, but also things like scene structure, story structure, character development, how to handle point of view, techniques like mirroring and so forth. With good craft alone it's possible to write an acceptable story that flows smoothly and that anyone will read.  A story that works.

Craft isn't everything.  That story might be ultimately unsatisfying if you haven't covered off the other two essential elements: voice and storytelling.  Nevertheless, I find it odd that more people who want to write don't invest heavily in learning this stuff, because anyone can do it.

If you're the sort of person who learns well from books, then there are piles of texts about writing craft.  I'm dubious about most of them.  The only ones that I'd recommend, and this is very much a personal opinion, is the series Elements of Fiction Writing. I like it because each book in the series is written by someone with real practical experience.  Also because I agree with most of what they say!  Here they are:

Plot, by Ansen Dibell

Description, by Monica Wood

Conflict, Action & Suspense, by William Noble

Beginnings, Middles & Ends, by Nancy Kress.  (Great  book for teaching basic structure.  That's Nancy Kress the SF author.)

Characters & Viewpoint, by Orson Scott Card.  (A very great writer.  He knows his stuff.)

Scene & Structure, by Jack Bickham.  (The best book of the lot, in my unhumble opinion, and very advanced.  My favourite "how to write" book.)

But having said that, I strongly believe anyone can learn craft by reading good books and thinking about how they worked.  Most writers do just that.  I did that.  It's like musicians who learned their craft by listening to great songs and picking them apart to see how they were put together.

I'd suggest taking your favourite books, then go through each one, mark out the scene boundaries, and ask yourself what each scene does, why it's there, which characters are in it, how each scene leads to the next, and so forth.  A lot of this is very technical and analytical.  If you do it enough, you'll discover standard patterns in any given genre.  Everyone knows, for example, that there are common techniques across every murder mystery, but few can explain them.  Writers learn the techniques well enough to actually use them.

Fixing fuzzy Adobe

I finally fixed it.  Ages ago, I complained that PDF documents on my computer were going fuzzy in weird ways.  This is the example I put up:


This is my list of for-real ancient Greek people, from which I pick character names.  What happened was bizarre.  I could open the list, and everything would be fine.  Then right before my eyes, the list would slowly but surely turn unreadably fuzzy.  I always thought it was because Adobe was rendering non-English, but that turns out not to be the case.  It happens with mathematics textbooks too.

A lot of googling put the blame on the morphological filter in AMD's video driver, but that never really fixed it.  I just lived with the fuzziness.  But when it reached the point of interfering with my children's homework I put in a concerted effort, and discovered this in Adobe's config:


Turn off 2D graphics acceleration in Adobe.  That fixes it.  The reason people think it was the AMD driver is that, when you cripple the driver enough, Adobe can no longer do harm.

If this problem hits you, Go to Edit --> Preferences in Adobe Reader.  Select Page Display.  Disable as per the image.  Done.